Friday, January 26, 2018

Why Cathy Newman Matters


On January 16, 2018, an English journalist, Catherine Elizabeth Newman, interviewed a Canadian professor of psychology, Jordan Peterson, on Channel 4 News. 

Newman attempted to embarrass Peterson by resorting to a rapid-fire interview style. The style consists of asking a nuanced question and then suddenly interrupting the guest in mid-sentence, shifting the focus to a tangential point, and repeating this until the interview is over. This way the guest does not get enough time to give any question a proper answer. Journalists often use this type of tactic against politicians they wish to undermine, hoping that they would accidentally blurt out something controversial or at least appear uninformed.

"Jordan Peterson revealed himself to be a master of clarity and brevity."
This a nasty, desperate tactic, but it can be effective against those who are not fast speakers, use highfalutin jargon, or speak in long sentences. People who talk in this manner are easy targets for predatory journalists who want to disturb their train of thought by simply cutting them off, restating something they said in a silly manner, thus tricking into talking about irrelevancies. Newman certainly gave this her best shot: “You’re saying women aren’t intelligent enough to run top companies?" To her chagrin, the normally verbose professor revealed himself to be a master of clarity and brevity.

When Peterson gave his opinion on some aspects of dysfunctional relationships, Newman asked, "What gives you the right to say that?" Peterson didn't hesitate to reply, "I'm a clinical psychologist." It is not a strong argument, but if a case has to be made in four words, it is difficult to be more dead-on. This game of verbal ping-pong went on for 20 minutes, during which Newman started to look visibly confused and nervous. Eventually, this exchange of words rendered her speechless:
"Why should your freedom of speech trump a trans person’s right not to be offended?”
“Because in order to be able to think, you have to risk being offensive. I mean, look at the conversation we’re having right now. You’re certainly willing to risk offending me in the pursuit of truth. Why should you have the right to do that? ... ... You’re doing what you should do, which is digging a bit to see what the hell is going on. And that is what you should do. But you’re exercising your freedom of speech to certainly risk offending me, and that’s fine. More power to you, as far as I’m concerned."
Newman was not able to recover from this and her talking points became asininely absurd. At one point she retorted, "let me get this straight, you're saying we should organize our societies along the line of the lobsters." Peterson smiled the smile akin to that of a father listening to a child's nonsense while pursuing thoughts of his own. The interview was over and Cathy Newman, deservedly, became a target of online ridicule around the globe.



Watch the full interview



"Let me get this straight, you're saying we should organize our societies along the line of the lobsters."
Yet this blunder won't likely hurt her career. Channel 4 News, as a face-saving operation, orchestrated a red-herring type of distraction by claiming that Newman has received credible threats against her character whose nature requires involvement from security experts. By invoking misogyny, some journalists have taken this diversion beyond schizophrenic levels of delusion[1].

I believe that Newman has indeed received vitriolic threats. Unfortunately, the world is full of crackpots who are unable to channel their frustrations in a constructive manner and instead send anonymous death threats. Anyone who has the audacity to express their opinions publicly will likely become a recipient of this art form. At the time of writing this, the interview has earned more than 3.8 million views on YouTube, and if even 0,01% of its viewers are crazy enough to directly abuse Newman, she has received 380 threatening letters. It is a sad but statistical reality. 

Jordan Peterson himself has been a target of malicious bullying that extended beyond the Internet when presumably a radical left-wing supremacist group started posting hateful posters full of preposterous claims around his neighborhood. The underlying message being, "we know where you live."

All that being said, if Cathy Newman will recover from this unscathed and her core audience refuses to take their blinders off, why is this newsworthy? In the end, she is only a failing journalist and even the undoing of her career would have not changed anything had Channel 4 chosen to terminate her contract. But her case has significance because the journalistic backlash, for the longest time, has not been about manipulating the facts and trying to make a dissident professor look like an alt-right shadow figure. Even radical outlets, such as The Guardian [2], have taken steps toward somewhat sober reporting. The Atlantic [3] took a leap farther and flat-out condemned Newman's abusive tactics. Others have fallen somewhere in the middle [4] and only the most cringe-worthy publications have tried to distort the facts.

"Has a seed of sanity started to sprout?"
Has a seed of sanity started to sprout? Less than six months ago, a Google employee, James Damore, was fired over a memo where he criticized the company's diversity program. Damore based his arguments on evolutionary psychology and scientific research, backing everything up with charts and citations. during the controversy, dozens of experts arose to defend him [5], and agreed that he got the science mostly right. The mainstream media ignored the voices of leading academics, distorted the contents of Damore's memo, put words in his mouth, and disparaged him in ways that were akin to a schoolyard bully giving wedgies to first graders. 

Media's treatment of Damore was parasitic and inexcusable—and a huge mistake. Anyone scientifically literate who bothered to read through his memo was able to see that the media was pushing a fictional, anti-intellectual narrative. The memo left plenty of room for disagreement, but even many of those who disliked Damore's proposals also offered words of sympathy for the mistreated underdog. Resentment toward vulturous journalists spread on social media like wildfire.

"Journalists are realizing that it is their job to report the truth—and not to decide what it is."
Yet, somehow, history did not repeat itself. Jordan Peterson seems to prevail against this nonsense that has been for so long driven by political correctness. He still gets a fair amount of criticism, but it is almost like the long-dormant mainstream media community has woken up to the fact that the interview is publicly available on YouTube. Figments of editorial imagination cannot be twisted into public opinion in a world where information is available to everyone. Their deranged bubble is bursting.

Or perhaps they have realized that there is a cheeseburger-loving world leader on the loose who loves to rant about Fake News™. It is in everyone's best interest not to weaponize his empty rhetoric with demonstrable examples. Cathy Newman matters because there is finally a glimmer of hope that journalists and editors alike are beginning to realize the limits of their power and that it is their job to report the truth—and not to decide what it is. 

Wednesday, January 24, 2018

The Last Jedi



"Star Wars went from Sith to shit."


I did not expect to hate The Last Jedi. The original trilogy was a big part of my childhood, but I have never been a die-hard Star Wars fanatic. Also, let's face it, after the prequel trilogy's Jar Jar Binks, Flubber-Yoda, and Darth Vader's cringe-worthy scream of "NOOOO!" the bar had not been set exactly high. But I almost walked out of this movie.

People enjoy Star Wars because it offers an escape from everyday banalities. When the opening credits started rolling, that is what I expected to get. Only fifteen minutes into the movie, I realized that I was being served a ham-handed lesson about Identity Politics™.

I left the theater confused, clinging to the hope that I am suffering from severe delusions, seeing imaginary interstellar chief diversity officers after watching one too many political debates. After all, at that point, I had avoided spoilers like fire. To my disappointment, I soon found out that millions of fans around the world share my sentiment. 
"The Last Jedi is a textbook bait-and-switch."

There is nothing wrong with having a moral to the story. But Star Wars is supposed to be about the Force and not about force-feeding a questionable, intellectually void ideology. The Last Jedi is a horrible movie because it is a textbook bait-and-switch. Fans were promised the return of Luke Skywalker. They got 2.5 hours of feminists fighting against the bourgeoisie.

This was not an accident. Director Rian Johnson probably had the following checklist for his screenplay:

   ♀ Mansplaining
   ♀ Toxic Masculinity
   ♀ Patriarchy
   ♀ Female Leadership
   ♀ Animal Rights
   ♀ War Profiteering
   ♀ Racial Diversity

Yanking in so much Identity Politics claptrap makes The Last Jedi a way too conspicuous socio-political statement. Johnson only forgot to include LGBTQ representation into the mess. The funny thing is, I actually support many of these ideals. I have my reservations about the most toxic strains of contemporary feminism, but I have often cheered for taking a progressive standpoint in movies. I certainly have nothing against animal rights. So why did I hate this movie so much?

"Political statements are either painfully obvious or leave the audience blissfully oblivious."
The original trilogy was not by any means an epitome of bigotry and patriarchal oppression. Lando Calrissian was a black leader and hero. Leia Organa is likewise both a senator and general, a personification of female empowerment. Yet if George Lucas wanted to make a statement about racial and gender equality, he managed to do it in a way that was not distracting. It just worked marvelously.

When it comes to making political statements, they are either painfully obvious or leave the audience blissfully oblivious. The Last Jedi is a paradigm of the former case. Johnson's Star Wars is apathetic, characters are flat, and dialogue is lacking in depth, so when the moral lessons come, they stick out like an angry Luke Skywalker drinking raw alien milk.

What makes or breaks the movie are the plot and overall entertainment value. If the thematic underpinnings tickle the rights spots, scenes are mindblowing, and acting outstanding, a lot can be excused. The Last Jedi misses all the marks. The story is boring and makes little sense, and no scene gets past mediocrity. It is just an overlong cinematic failure.


Who is Snoke? And when he arrived, why did Luke and the rest of the then-victorious Rebellion just roll over? George Lucas had the privilege of creating his universe from the scratch, so it did not matter whatever happened before The New Hope. This time, the audience had every reason to come in with expectations and demand answers. After two movies, it is clear that J. J. Abrams and Rian Johnson have their own vision for the franchise and as far as they are concerned, the old trilogy and its fans can go to hell.

The new franchise is pure Disney and those of us who wanted to rekindle childhood nostalgia just have to accept that this is not the Star Wars universe we were looking for. Disney's Star Wars is just another of their many cash cows. They do not make movies to tell good stories. They make movies to sell tickets and merchandise. Marketing departments have their say at every level of production. Even controversies are often designed to get media exposure.

Let's face it, The Last Jedi was not a commercial failure. It is as badly written as 50 Shades of Grey but just like this atrocious excuse for a novel, being asinine fan fiction is not enough to deter CGI-hungry masses devoid of taste for a good narrative. Most people simply do not care that much about neither the mythology of Star Wars nor Identity Politics™. It satisfies the needs of the hoi polloi and the rest is irrelevant.

"This is not the franchise you are looking for."
In the end, Disney is only accountable to its stockholders and all public companies are ultimately in the profit-maximization business. Perverting an established space opera and outraging a small segment of hardcore fans does not make a money-hungry studio blink if the movie is still attractive to the larger crowds. I won't be interested in seeing another Star Wars film after this, which makes The Last Jedi, ironically, my last Jedi. Yet I doubt there will be enough foot voters like me to turn the upcoming installations into box office bombs.

But there is one thing about The Last Jedi that I have thoroughly enjoyed: the ridicule of it. Leia depicted as Mary Poppins is hilarious. Yet what really made me laugh with tears in my eyes was the latest episode of The Manosphere Strikes Back. They published a 46-minute cut titled as The Last Jedi: De-Feminized Fanedit (a.k.a. The Chauvinist Cut) in which the movie is liberated almost entirely from its female characters. The very idea is just wacky and the fan who made this should be very proud of himself (or herself, who knows) as it has provoked a reaction from many of the movie's crucial cast members: 




Yes, editing out women is dumb. It is silly. It is also funny. (Spoiler: It was almost certainly meant as a joke.) Johnson, Hamill, and Boyega all reacted to it appropriately—when you see great parody, feel free to crack up. The Last Jedi is an awful movie and yet it is only healthy to find humor in one's disappointments. There is no letdown that cannot be cured with laughter.